While most Greek gods and goddesses like Zeus, Ares, Poseidon, and Athena kept fighting among themselves for power and kept waging war, Goddess Aphrodite was a free soul who believed in love and passion. via Instagram Colorful Tattoos Of Aphrodite’s Face via Instagram Many young women prefer to get a simple tattoo of Aphrodite’s face as depicted in various forms of art to pay their respects and admiration for the goddess Aphrodite. As a result, many sculptors and painters have tried to capture her beauty in different works of art throughout the years. Unlike Athena who was considered to be the Goddess of knowledge and wisdom, Aphrodite or Venus was known for her beautiful face and body. Tattoos Which Portray Aphrodite’s Beauty via Instagram If you are interested in Greek god tattoos, you can also look at Zeus tattoo designs, Poseidon tattoo designs, or Athena tattoo designs. Even though Zeus had gotten his daughter married to Hephaestus, Aphrodite also consorted with Poseidon, Ares, and Hermes. Due to Aphrodite’s curse, she could never find true love even though she searched for it all her life.
One of the most famous stories of Aphrodite’s curse is the one she bestowed upon Eos who loved another Greek God Ares. She would curse anyone whom she thought was more beautiful than her. As the Greek goddess of love, beauty, and fertility, she has a number of symbols which represent her such as roses, seashells, and doves.Īphrodite was the goddess of beauty and love but her vanity was also her primary weakness. Also known as Venus in Roman Mythology, she is thought to be the daughter of Zeus and Dione.Īn Aphrodite tattoo can mean a lot of things depending upon your interpretation of her and her powers. Out of all the Greek goddesses, Aphrodite is probably the most well-known goddess who is associated with some of the most interesting stories in Greek mythology including the Trojan war.
#GODDESS QUEEN LIONESS TATTOO SERIES#
Some have more of a cognizance-based focus (for example, trying to read text, count something, or press a series of numbers - which may include somatosensory phasing unless mentally acting it out).If you love Greek mythology and want to get tattoos, then you might want to get a stunning Aphrodite tattoo. Other dreams have predominant somatosensory integration. That indicates my associations with accepting physical mobility upon waking are still crucial and defined. In this case, one of the soccer players sits at the foot of my bed before I engage in "wall mediation" (transitioning between the dream state and precursory wakefulness). Such variations in dream narratives can occur in the same sleep cycle and have ZERO to do with waking-life reality or non-existent symbolism (in the conventional sense).Īssociations with sleep and being in bed end most final dreams of a sleep cycle. This dreaming mode and response is in stark contrast to when I see protoconsciousness as "intrusive" (even with an identical setup). I invite the unfamiliar males into our house." One is about eighteen, the other about ten. Two unfamiliar males are playing volleyball. Verbatim: "Our backyard seems to be a public area and has a different appearance than in real life. More notes for "When I Invited Volleyball Players into Our House" (Tuesday, 2 November 2021): This statue-based imagery infers hands around an eggplant, but without actually touching it, a curious signification of the illusory nature of dream state physicality. Sometimes (later in my sleep cycle), I summon an egg into the palm of my hand to exponentially vivify a dream (as I slowly begin to feel the incredible hallucinatory realism).
Gullakayajji, or "granny holding the eggplant," appears as such. Here, it also defines my somatosensory phasing response to REM atonia. Statues (physical immobility while sleeping) have defined this status in every sleep cycle since childhood. From here, there are more definitions of the nature of REM atonia as related to dreaming. The second typically implies losing arm mobility (for example, seeing someone drop empty boxes). My first post-hypnagogic dream defines the loss of leg mobility (feet sliding forward and falling backward in most cases with myoclonus due to incomplete REM atonia). "Granny with Eggplant" would be (with the familiar template factor) the fourth post-hypnagogic dream based on my dreaming mode and lifelong familiarity with intuitive, metacognitive, and lucid dream state navigation. It also clarifies some content from that entry. This entry is precursory to "When I Invited Volleyball Players into Our House" from Tuesday morning, 2 November 2021.
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